CORONA VIRUS UPDATE :

It is with much sadness that we have taken the decision to postpone our literature festival. Given current conditions and advice, we want to ensure that all our audiences, authors, volunteers and staff remain as healthy as possible and we feel it is our duty and responsibility to protect others by not proceeding with our events at this time.

We are currently investigating options for rescheduling events and ask that you bear with us in the meantime whilst we talk with different venues and authors. We are also in talks with our box office - run externally - and appreciate your patience whilst we finalise information for those who have purchased tickets for events due to take place at the end of March. We will keep you informed as soon as we have further information.

Thank you all for your continued support - as a charity we rely so much on income from our audiences and sponsors to keep running and hope that, however uncertain the future is at present, we can continue to bring high-quality, inspiring multi-arts experiences to the Midlands.

(Last Updated: 17th March)

Lichfield Festival Box Office:
01543 306 150
Published date: July 17, 2018
Last modified: July 17, 2018

Young Critics Review 2018 – Hansel and Gretel Second Review

This haunting new version of the Grimm’s fairytale left me spellbound and only just with a dry eye. This adaptation of a masterpiece followed the original storyline with a few added extras.

The narrator sang the adult character’s lines and spoke those of the children and described everything that we needed to understand.  Using the same voice, she brought to life 3 drawings, 2 puppets and some smaller characters. Her tone changed throughout and the varying pitch of her singing added a gruesome vibe to the experience.

The all round look and feel of the performance made it interesting. Projections in black and white with occasional red gave an amazing atmosphere and along with the music formed a background that set the scene. They also used unusual materials to make sounds that were scratchy or faded.

A part that was slightly strange was that they called their children cold and hungry. This is strange as Hansel means a gift from God and Gretel means Pearl. These names must be nicknames to signify their situation.

The parts that I will remember were the repetition and similes used throughout for example: that the place was like a horror film after dark or that animal noises were like swear words. There were also some unusual phrases like a 5-day jomp. The endless lists of confectionery made me think the children were spoilt for choice especially as they had barely tried sugar.  Also it was said that you found dodgy sellers on street corners, which made me wonder whether there was a black market for sugar. The use of toys in the performance symbolised an air of innocence.

I liked the use of wry humour like the Heinzel und Gretel soup can. This reminded me that the story is actually German and was set during the war also shown by the destroyed setting and buildings. I found the end very lovely and I won’t give anything away but I love that it gives you a sign of hope. A sign of hope for Hansel and Gretel and their father. A sign of hope for their future.

I really enjoyed this variation of Hansel and Gretel as although it told the old story, it was fitting for 2018. Also, it was fittingly dark and spooky to be a grown-up adaptation of a happy, moral telling fairy tale. There were a few swear words but nothing that the age range (12+) couldn’t handle! I would definitely recommend this to everyone but I think teenagers would really enjoy it, as it is a good way to reminisce whilst watching something that you can actually enjoy!

10/10

By Martha Skerry.